Download Respect for Acting
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Respect for Acting
Download Respect for Acting
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From the Inside Flap
"Uta Hagen wanted us never to settle, period, to keep on endlessly exploring, digging deeper, and aiming higher in our scenes, in our plays, in our careers. Respect for Acting is not a long book, and with any luck, it will take you the rest of your life to read it." —David Hyde Pierce (from the Foreword) Legendary actress and teacher Uta Hagen knew that an actor's finest work was often achieved for love rather than for money. She lived this philosophy alongside her husband, Herbert Berghof, at HB Studio, their acting school in New York. It was there that they created a workplace and spiritual home for actors such as Robert DeNiro, Jack Lemmon, Anne Bancroft, and Bette Midler. Respect for Acting is Hagen's blueprint for the actor, her design for "enlightened stage acting." This classic book has helped generations of actors hone their craft, and its advice is as useful now as it was when it was first published. Hagen draws on her own struggle with the techniques of acting as well as her decades of teaching experience to break down the areas in which actors can work and search for realities in themselves that serve the character and the play. This approach helps actors to be specific in their actions in order to communicate an artistic statement. Hagen's instructions and examples also guide the aspiring actor through practical problems such as "How do I talk to the audience?" and "How do I stay fresh in a long run?" Part One, "The Actor," deals with the actor's concept of him or herself, as well as techniques that set an actor in motion physically, verbally, and emotionally. Part Two, "The Object Exercises," offers specific and detailed work for the actor, covering a broad range of problems and circumstances, from making an entrance to using the Fourth Wall. Part Three, "The Play and the Role," covers how to approach the play and identify with the character the actor will undertake. It also shares practical thoughts and answers the questions young actors ask most. Uta Hagen's influence endures in many of today's most compelling stage and screen performances. Informative and inspiring, Respect for Acting will bring her timeless techniques to actors and audiences for years to come.
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From the Back Cover
Respect for Acting "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end." —Publishers Weekly "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." —Library Journal "Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." —Los Angeles Times "There are almost no American actors uninfluenced by Uta Hagen." —Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor." —King Features Syndicate
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Product details
Hardcover: 240 pages
Publisher: Wiley; 2nd edition (July 8, 2008)
Language: English
ISBN-10: 0470228482
ISBN-13: 978-0470228487
Product Dimensions:
5.6 x 1 x 8.6 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
151 customer reviews
Amazon Best Sellers Rank:
#18,640 in Books (See Top 100 in Books)
Straight to the "re-sell on eBay" pile. After an initially brief, but interesting, comparison of the way both Duse and Bernhardt played an unnamed role, I was hoping for more of the same psychological insight. Instead, I found a series of quite dated "observations." For instance, here's an example of the latter part of an "Object Exercise" in which you've woken up with a hangover after a date "to a great new French movie" and now have a reading that you're late to, plus you're dealing with an ongoing Peeping Tom across the way:ACTIONS: You leap out of bed and flaunt your behind in your thin nightie at the peeping Tom, before yanking the curtains together and putting on your gorgeous robe. You turn the clock to the wall so that your lateness won't rattle you. You empty your friend's ashtray in the attempt to get him off your mind. You look for an aspirin for your headache, etc., etc.OK:(1) Flashing your ass to a Peeping Tom might have been cute and innocent in '43 or '53, but by '73, when Adler wrote the book? Actually dangerous, psychotic, drug-addled creeps had clearly come out in full force by '73; you don't flash them. (p.s. What poor young acting kid has a "gorgeous robe"?)(2) NEVER have I, or anyone else I've known, physically "turned the clock to the wall" when we know we're late. Ridiculous.(3) My emptying of ashtrays has always been an attempt to merely clean up the apartment. Looking at foreign (not my) butts might bring up a brief thought of who else had been there the night before smoking, but... specifically emptying an ashtray to "get someone off your mind"?Overall, quite boring and literal stuff like "how do you feel when you've come home tired after a hard day of auditions --- how do your tired feet feel? what do you do when you get home?" (In Hagen's world, struggling 20-year-old actors come home and prepare a soothing foot-bath and gin-and-tonic as opposed to just grabbing a beer out of the fridge and lying down on the second-hand sofa.)The majority of the book is full of such scenarios. Either Hagen is sitting in her pristine garden waiting for the annoying co-author of this book to show up, or she's imagining how young actors live in 1973 (the year the book was written, when Hagen was 53 and long past her salad days). Maybe 5% of the book is actually interesting anecdotes about her own experiences in the theater and what they taught her.
I can't put this down. The book offers an amazing perspective on the art. You have to read this with COMPLETE vulnerability. ACTUALLY read it, don't just go through the words. STFU and be a sponge.
This book was the companion to an Introduction to Acting course I took In my community. Hagen offers a time tested and true method to acting that is excellent for anyone looking to begin acting or the professional wishing to enhance their skills. The goal is for the actor to present authentic, organic actions. It’s not about the words, it’s about the action.
Utah Hagen's wonderful book "Respect for Acting" is a must read for any aspiring actor, director, producer ... anyone who has a commitment to live theater. This is the second copy of the book I have owned. I had lent my first copy which was unfortunately not returned, and I refer to this book often and share Hagen's inspiring insight with my casts. Had to order the second copy!
Uta Hagen's "Respect for Acting" provides the reader with an accessible guide to what the actor should go through in preparing to act a role on stage, as well as how to approach the task of acting with self-respect and ability to perform a role.
The undiluted raw opinions of this great teacher have immense value for an actor. Never settling for the cheap, for the cliche and respecting the craft are what she wanted for actors. The successor "A Challenge for the Actor" is a must read too, where she goes into much detail in explaining her techniques.
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